SUMMER THROUGH ROSE TINTED SPECTACLES
Tuesday July 10th 2012, 6:37 pm
For anyone reading this in sunnier climes, in the UK it has rained and rained and rained. Other countries have their rainy seasons but our monsoon season always comes as a complete surprise. Even the most determined gardeners have had their endeavours thwarted by perpetual rain. Food producers have lost their crops on flooded land. God forbid, we’re all set for a scarcity of potato crisps in the months ahead! Whatever happens, food is bound to cost us more.
I’d been waiting for a dry sunny day to go and harvest the fruit on my allotment. Despite my lack of horticultural effort this year, I have been rewarded with a fair amount of produce. The berries would no doubt have benefited from a bit more sun, or any sun, but a few days ago I was still able to pick strawberries, raspberries, white, pink, red and black currants, gooseberries and even a handful of alpine strawberries. The currants were tedious to pick and the red ones turned mouldy in an instant, before I had time to get them in the pan. So sad as they are such a glorious fruit. There are still more white currants to harvest as patience got the better of me after stripping 5 bushes. This is my first year of any kind of crop as the bushes were planted just a few years ago.
The pink currants are particularly beautiful and as this is my first opportunity to preserve them I was curious to see whether their marvellous colour would follow through in a jam. They are a variety called Gloire de Sablon. I made the simplest jam with them, just berries, sugar and water, pushed through a food mill to remove the seeds, but not dripped in a jelly bag which would have given a clearer result. The jam has the look of a jelly but with just a tad more texture, a bright tangy flavour and will be eaten with relish on toast for breakfast. All currants contain plenty of pectin, the stuff you need to help jam set, so achieving a firm set shouldn’t be a problem.
PINKCURRANT JAM
Makes approx 750g (3 x 1/2 pint jars)
550g (1 1/4lbs) pink currants
500g (1lb) sugar
300ml (1/2 pt) water
Place all the ingredients in a pan and bring slowly to a simmer, stirring all the time until the sugar has dissolved. Simmer for 5-10 minutes until the currants are cooked and burst. Take the pan off the heat, pour the contents into a bowl and leave covered overnight.
Next day push the currants and syrup through a sieve or food mill, collecting the juice and puree in a bowl underneath. Prepare your jars by sterilising them and their lids in a warm oven for 15 minutes or alternatively prepare a water bath, preserving jars and seals, if you plan to process (can) your jam.
Place the puree and syrup in a preserving pan, bring to a rolling boil and maintain to setting point, which should only take around 5-10 minutes. Skim to remove any froth from the edges of the pan, then pour into hot jars and seal. Alternatively, pour into hot preserving jars, seal and water process for 5 minutes. Remove from the water bath and leave to cool for 24 hours before testing the seals.
A FRUIT CHEESE ON THE WILD SIDE
Thursday October 14th 2010, 11:59 pm
On many afternoons recently, I’ve taken an hour or so out, to go for a walk foraging for ingredients. Some days this gives me a headache, as foraging can be a very intense activity and the level of ‘looking’ becomes a bit over the top. It is a brilliant way of discovering things though, when you look that hard you see things you would otherwise miss and find things you didn’t know where there. Foraging is not without its dangers however. I am forever getting my hair tangled in trees, ripping my legs through brambles and wacking my head on low branches when intently focused on something just out of arms reach. It is just too tantalising to go away from the path when you think there might be something to be found ‘off piste’. The other day I came across some windfall wild crab apples that required that I crouch down and crawl on all fours under low lying branches to gather them up to take home. Going forward wasn’t such a problem but backing out with my basket full and a camera round my neck wasn’t quite so easy.
A couple of weeks earlier I’d been to harvest wild damsons, from a place in the forest I’d found the year before so I already had plenty of damsons at home waiting for the jam kettle. One by one, as you clock another crop, you are able to add them to your own personal ordinance survey map of fruits and berries.
I love damsons anyway and the idea of mixing them with the crab apples, both wild fruits together, harvested on my doorstep, seemed a perfect pairing. Damsons can be quite a pain to stone and wild damsons being smaller means there’s even more stones to contend with. Making a fruit cheese is the perfect solution, as both fruits can be cooked with very little in the way of preparation and then be forced through a food mill to leave just the fruit puree and dispense with peel and pips, cores and stones. Though it does require considerable patience I like using a food mill, but last year I found a vintage attachment for my Kenwood Chef on eBay that does the same thing, so now I’m all automated.
Membrillo, made from quince, is probably the most popular fruit cheese, served with the cheese board at the end of a meal, but damsons and crab apples have a particularly appealing Englishness about them. Fruit cheeses are cooked down until they are really thick and will set solid as they cool. This means they can be turned out and served in slices as opposed to dolloped from a spoon. They need to be contained in jars or pots with slightly sloping sides that are wider at the top so they turn out easily. There are small glass jam jars around made for this purpose but I’m really lucky that Martin, in the pottery at Taurus Crafts made me some special hand-thrown stoneware jam pots, inspired by some vintage French ones I own. It is advised that in order to make it easy to turn out the cheese, you lightly oil the ‘moulds’ using ground nut oil or some glycerine if you just happen to have some handy.
CRAB APPLE AND WILD DAMSON CHEESE
Rinse and drain the crab apples. Chop them roughly and place in a pan. Add enough water to just cover the fruit, bring to the boil and simmer gently for 20-30 minutes, till cooked through. Remove from the heat, leave to cool then push through a fine seive or food mill over a bowl to remove the skins, cores and pips and leave a smooth puree.
Rinse and drain the damsons, place in a pan and add just enough water to barely cover the fruit. Bring to the boil and simmer for 30 minutes, till cooked through and the fruit has burst. Remove from the heat, leave to cool, then push through a sieve or process with a food mill to remove the skins and stones and leave a smooth damson puree.
I combined 800g (1.75lbs) damson puree with 400g (14oz) apple puree, so two thirds damsons to one third apple, but you can change the ratio to suit yourself and the quantities you have available. To every 600g (1.3lbs) fruit add 450g (1lb) sugar. Place the fruit and sugar in a pan and stir over a low heat until the sugar is completely dissolved. Turn up the heat and bring to the boil then simmer, stirring from time to time to be sure it doesn’t catch and burn on the bottom of the pan. Continue to cook until the mixture thickens considerably and when you pull the spoon across the centre it draws a line. This may take and hour or even longer to achieve and it is best to be patient and keep the heat really low under the pan. Pour the mixture into hot sterilised jars that are lightly oiled, cover with greaseproof waxed circles and seal. Leave till set and cold.
BOTTLING TOMATOES & THE ACIDITY CUSP
Monday August 16th 2010, 1:05 pm
Month eight Tigress’s can jam canning challenge and for August the ingredient chosen by the inspired and inspiring Julia is tomatoes. My relationship with this ubiquitous fruit has been a checkered one. I hated tomatoes as a kid but learnt to tolerate them later on. I do like them as a sauce for pizza, applied with a lightness of touch though. I can now eat cherry tomatoes raw and, like biting into any fruit, appreciate their sweetness so I suppose you could say I’ve made progress.
But it is as objects of beauty that tomatoes especially come into their own. The resurgence of interest in growing heritage varieties has brought all these wonderfully coloured tomatoes to the fore; striped, heart and pear shaped, shaded like a shop display of lipsticks, from gold to chocolate. They are all so fantastically photogenic and worth growing for looks alone.
As an ingredient for canning, they are on the acidity cusp. Tomatoes require special attention for bottling safely using the water processing method or else should be pressure canned. They are only just on the acid side of neutral and acidity can vary for different varieties, so it is necessary to add a little more acidity in the form of lemon juice or citric acid to make sure they stay safely putt. It is important that time spent preserving has a very definite pay off later so it makes sense for me to bottle really useful tomato passata-type sauces for cooking up further down the line into pizza toppings, pasta sauces or as additions to winter casseroles.
Each year I begin the growing season with high hopes for an extensive range of weird and wonderful tomato varieties. I don’t have a greenhouse so can only grow toms out in the open. We’ve had two consecutive years of blight bringing these plans to a soggy and disappointingly diseased halt, but this year the weather has been kinder. Tinned tomatoes are as cheap as chips, so I don’t think it is really cost effective to bottle tomatoes unless you have your own homegrown supply or you are able to mop up someone elses glut. The plants I have growing in the garden are still some way from the ‘glut’ stage. Thankfully my neighbour Jane has a greenhouse as well as green fingers. She sells her excess garden produce from her garden wall. Last week I picked up four generous punnets of yellow and red tomatoes from the wall and dropped my payment into the honesty box provided.
So first a basic tomato sauce. These cherry tomato varieties are as sweet as anything though perhaps not the most ideal kinds for bottling. For sauces, larger fleshy varieties like Roma and San Marzano are good. Skinning so many tiny fruits was definitely out of the question for starters. Tomatoes can be very watery, which means that they will require considerable cooking to reduce, thicken and intensify the flavour, unless some of the liquid is removed first.
In order to give a fresher flavoured result with less cooking time I began by slitting each fruit and removing the seeds by running my thumb quickly through their middles, collecting the seeds in a sieve placed over a bowl. Any collected juice would come in handy later. After a brief cooking time of 10 minutes the de-seeded tomatoes were then processed using a passata mill, running it through several times to separate the skins from the pulp. The passata mill is a bit of kit I acquired some years ago when dreaming of a bounteous tomato crop that never materialised. The mill has sat unused in its box ever since so this was its first opportunity to prove its worth. I must say that I wasn’t too impressed. Passata-ing the tomatoes was a messy and annoying business (compounded by trying to take photographs at the same time). Tomato juice splattered all over the place and possibly it was my fault, but juice was squirting out the handle side as well! Next time I will most likely use my regular food mill over a bowl, which though still requiring patience would be less messy and more controllable. Depending on the scale of the project, to remove skins and any stray seeds you could simply push the tomatoes through a sieve if you prefer. Still too watery for my liking, I strained the flesh again briefly in a sieve collecting more juice to add to what had been collected earlier. 2.5Kg (5 1/2lbs) of tomatoes resulted in 775g (1 3/4lbs) puree and 750ml (1.3 pts) of juice.
HOW TO BOTTLE TOMATO PUREE
Prepare the water bath, jars and seals ready for bottling (canning). For more info about how to hot water process, refer to the guide here.
Put the pureed tomatoes in a pan and simmer for a short time to reach a consistency that suits you so excess juice has evaporated. If the puree is already thick enough simply bring to boiling point. I added 1 tsp sea salt (a non essential, so add salt to own taste or leave out all together) plus an aditional acidic booster. As a general guide you need to add one of the following to every 500ml (1 pt) tomato puree: 1Tbsp lemon juice or 1/4 tsp citric acid. I used balsamic vinegar instead, adding 2 Tbsp balsamic vinegar per 500ml (1pt) puree.
Place a basil leaf inside each jar against the glass and fill jars with tomato, leaving headspace required for your type of jar. Remove bubbles from sides of jars using a small spatula, wipe rims clean and seal. Process 500ml (1 pt) jars for 35 mins and 1ltr (quart) jars for 45 mins. Remove jars from water bath and leave till cold before testing the seals. Any jars with loose seals will require reprocessing or you can keep them in the fridge for using up within a few days. Remember to label all your jars before storing them.
My tomatoes made 2 x 350g (12oz) jars of sauce plus a bit more that I had with pasta for my dinner that evening.
WHAT TO DO WITH THE JUICE
It seemed a shame to waste the lovely sweet juice collected whilst extracting the tomato puree, so I decided to turn it into tomato jelly. You could flavour tomato jelly with fresh ginger and ground coriander or finely chopped chilli. After much deliberation I eventually chose vanilla and white pepper for a jelly with a sweet / savoury crossover. This jelly is delicious on sourdough toast with cream cheese and I used it to fill tiny savoury pastry cases, topped with sour cream or crumbled goats cheese for a really exquisite little mouthful.
As tomato juice is lacking in pectin, a boost in the form of the addition of lemon or apple juice is helpful. Having bottled some whitecurrant juice several weeks earlier to use at times like this, I added some of that for its setting quality. Preserving sugar containing added pectin could also be employed here. Adjust proportions to suit what you have available.
TOMATO, VANILLA AND WHITE PEPPER JELLY
750ml (1.3 pts) tomato juice (a byproduct of making the puree above)
550g (1 1/4lb) sugar
Juice of 1 lemon or 150ml (2/3 cup) whitecurrant juice
1 vanilla pod, split and seeds scraped from inside
1/2 tsp ground white pepper
Prepare the water bath, jars and seals ready for canning. For more info about how to hot water process, refer to the guide here.
Pour the juice through a jelly bag, collecting the juice in a measuring jug. To every 600ml (1 pt) juice add 450g (1 lb sugar). Place all the ingredients in a preserving pan. Stir constantly over low heat until the sugar has dissolved then turn the heat up to bring to a rolling boil. Boil to setting point, (it took me about 10 minutes) when a blob of syrup on a cold plate will formed a skin when you push your finger over the top of it. If using a jam thermometer it will register 220F 105C. Remove the vanilla pod and fill hot jars, leaving the required headroom for their type. De-bubble the sides using a small spatula or chopstick, wipe jar rims clean, before sealing and placing in the hot water bath. Process for 10 minutes, remove from the bath, then leave till cold before testing the seals. Label and store.
The ratio of sugar to juice is the classic one used when making jellies. This jelly is very nice indeed but I will be tempted to cut down on the amount of sugar when I make this next. It is often safe to keep jams and jellies without hot water processing (canning) them. If you do can them you are making doubly certain that they will be preserved safely for a year or even longer.